To handle this a Normalization or Levelling feature should be provided so that once you have completed your project editing you apply this and all the different volume levels of the various sound files are brought into balance automatically. Trying to adjust these different levels of volume manually can be incredibly laborious and ultimately the results could be described as… mixed! Once you have added audio files to a project from a few different sources what becomes noticeable is that they will have sound playing back at different volume levels. Normalization or LevellingĪs a minimum requirement the audio module of the software should offer a “Normalization” or “Levelling” feature. Providing you with microscopic little lines and dots on your computer screen to try to manipulate the volume is just annoying. The software should offer the ability to finely control the volume of individual tracks regardless of whether they are video or dedicated audio tracks and should do it in a way that is easy for the user. ![]() When that has finished the background music comes back up again. Volume ControlĪt different parts of the average video project you may want certain audio to become more quiet whilst other audio becomes louder.Īn example of this is “ducking.” This is when the background music lowers in volume while there is narration or dialogue occurring. So check to see that you have space available. Some software simply provides tracks for editing which you can add video, audio or whatever to them however be aware that some others have their tracks assigned to specific functions. That leaves you enough room for music, narration or sound effects without having so many that you need to send it to a professional studio to be mixed! The video editing software you choose should offer at least three audio tracks to play with in addition to the sound in the main video track and the sound in any additional video tracks. Sound, and your ability to create it in tune with what you are visually presenting is a vital element in video editing. When looking at potential software these days you would be well advised to carefully note the degree of control the program has on offer for sound manipulation. However things have changed over the past two or three years and whilst audio control is not one of the shining lights in this market there has been a marked improvement. The average editor almost invariably carried with it the most pathetic attempts at providing the consumer with some kind of useful tools for their sound files. ![]() The history of audio editing capability within video editing software products was such that in the past I never even bothered with it as a feature to look at.
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